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Post by Kate Burnham on Jan 25, 2018 17:50:52 GMT
Revised for end-rhyme scheme and POV. I used terza rima (aba bcb cdc...), but obviously did not even try to reformulate this into iambic pentameter.
"Mother, did it need to be so high?"
Asks herself—are you ready to incinerate, Burn yourself in your own flame, Create something bright, green, inviolate, from Demolished refuse, dead char, from shame? Euphemism. Frailty in the desiring, in a name. God, she, mother, loved only in aphorism. Had a child to save a marriage. Inception as conception, twisted in symbolism, Joking about immaculate sacrilege. Kicks herself for loving anyone or anything. Love Moving between pillars of adult childhood, no bridge. Nostalgia, desire—Giono says there is no joy living. O God—she used to pray to You. Prayer like a wand passing over the deep—abracadabra-ing. Questions tapping into a woman-child’s heart—trust few. Radical child, she started out that way— Saying things children shouldn’t, The Turn of the Screw. Tempted: when our Gods remain silent like walls, why pray? Ubiquitous silence, walls she built alone. Veritas supersedes morality, Nietzsche voted yea. Worlds collapse built on beaches of mortality, broken bones. Xenophobia persists since humans don’t live very long. Yea, we all lost God when we lost our mothers, unknown. Übermutter—overbearing but not strong enough. Thus spake Zarathustra.
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Post by whoismisterjim on Jan 25, 2018 18:02:58 GMT
And you nearly kept the abecedarian intact. The phrasing shifts to predominantly end stops at the point where the abecedarian breaks ("Between pillars of adult childhood..."). What's the effect of this pattern break? Does it serve as the turn in the poem?
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Post by Kate Burnham on Jan 25, 2018 18:13:06 GMT
And you nearly kept the abecedarian intact. The phrasing shifts to predominantly end stops at the point where the abecedarian breaks ("Between pillars of adult childhood..."). What's the effect of this pattern break? Does it serve as the turn in the poem? Oh Shit!!! There was never an L line in the first poem!!!! Nooooo! BRB with fixes, or I won't be able to sleep tonight.
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Post by Kate Burnham on Jan 25, 2018 18:21:34 GMT
Damnit, I am kicking myself so hard right now. I can add an L line to the first poem easily enough, but adding on here would require rewriting the entire rhyme scheme...
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Post by whoismisterjim on Jan 26, 2018 14:39:42 GMT
Damnit, I am kicking myself so hard right now. I can add an L line to the first poem easily enough, but adding on here would require rewriting the entire rhyme scheme... I think there's a real potential to make a deliberate shift away from the abecedarian here versus retooling after adding the "l" line. To my earlier point, there was a sense that the phrasing and end-stops really have a visible momentum shift in your prior iteration. With the addition of "Love" the shift isn't as obvious. What does everyone else think?
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Post by Kate Burnham on Jan 28, 2018 18:15:38 GMT
Is the end stopping awkward?
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