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Post by Veronica on Jan 20, 2018 1:55:01 GMT
Everything Happens for a Reason
an object in motion will stay in motion unless stopped by something of equal or more force
or
gravity dictates that was is launched must be grounded
or
we go to church on Sundays because that is when God rested
or
he cheated because she would not fuck anymore
or
the house foreclosed since the bills were not paid
or
the girl has scars because she believed she deserved them
or
erosion is a thing thanks to the moon
or
death is alive without water
or
a pen moves to be heard.
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Post by lawrencemullen on Jan 20, 2018 3:49:55 GMT
This is super specific but in the fourth stanza "anymore" followed by "or" is too much of a rhyme to me, as none of the other stanzas end that way. I'm not sure about the last two stanzas, as they break from a pretty well established pattern of two lines per stanza, with a an action, followed by its reason. I'm unsure of how that pattern continues with "death is alive without water," because death being alive, doesn't seem to have a reason, or rather without water doesn't seem to fit the category of reason. "A pen moves to be heard" follows more with an action, and then a reason, but then line itself is also a little bit of a cliche.
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Post by Kate Burnham on Jan 22, 2018 6:02:08 GMT
Interesting on how you toe the line of using another cliche—what goes up must come down...
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Post by Brielle Kroner on Jan 22, 2018 18:22:40 GMT
I really love this. Each rewrite of the cliche builds to more simplicity but also more power. Love "death is alive without water" and "a pen moves to be heard."
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Post by Kate Burnham on Jan 24, 2018 4:45:53 GMT
Questions: What if, instead of breaking up each reimagining of the cliche with "or," you use some sort of tick mark, em dash, asterisk, or something like that? Visually, what do you think all of these or's add to the poem--what do they communicate? In the first three lines, why did you go with "equal or more force" as opposed to "equal or greater?" Is it to have that internal "or" rhyme--which links into the "or" repetition, oddly enough. Intentional? There is just so much OR going on--"anymore," "foreclosed..." I want to know what it means! I do like that it seems as though you are trying to deconstruct/boil down the cliche into a root meaning, something more fundamental than the original phrase, working your way down to something that might even possibly be contained in a single word? That might be something interesting to try here.
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