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Post by Kate Burnham on Jan 18, 2018 22:01:12 GMT
Actions speak louder than words.
The loudest verbiage any child will hear,
a slap that deafens an apology, milks a tear.
You can't please everyone/Burning your candle at both ends.
People-pleaser: work the hardest, strive the longest, live the briefest, fall the hardest. And when your circles are running circles around circles, spinning two dissimilarities into one wholesome-seeming image, like an optical illusion toy, do you see your two lights meeting at the middle and snuffing out between worn thumb and index finger, like a boot stamping on a human face forever?
What doesn't kill you makes you stronger.
Under pressure, pain, entropy, detritus waits, metamorphosing into something hard, brilliant, and costly...
That shit works for diamonds and butterflies, but we are homo sapiens, and our scars land us on couches swallowing Prozac. Let's be real.
**So, I went for short, like the example poem. Nothing spectacular resulted, of course, but this was a really good exercise for playing with words and expressions, turning cliches on their heads and dissecting them. I need to remember this exercise, log it in my notebook.
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Post by whoismisterjim on Jan 19, 2018 13:09:13 GMT
Inversion of familiar language is an ongoing concern in our writing. Out of the three short pieces here, which do you feel deconstructs the cliche with the most effective language?
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Post by Brielle Kroner on Jan 19, 2018 16:07:12 GMT
Actions speak louder than words. The loudest verbiage any child will hear, a slap that deafens an apology, milks a tear. Wow, I love this. It's one of those things that isn't anything we don't know, but it's phrased and turned over so beautifully that it feels like a revelation. And that's the point of this exercise, so huge success.
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Post by laurenjacquish on Jan 19, 2018 17:22:30 GMT
I think the strongest is the top one Brielle commented on. It is succinct and the rhyme works. I am impressed to got three out of this exercise!
The 2nd, seems more like a brainstorm- pre 1st draft. I do like, snuffing out between worn thumb and index finger, like a boot stamping on a human face forever?
Hey, I guess I do! I quoted that line before. Livin in dystopia baby. The issues I have with the last two pieces are that there are clichés within them that take away from the focus on the one which inspired the poems. For example, "running circles around circles" "Under pressure"
This one could even start here and be more successful IMO: spinning two dissimilarities into one wholesome-seeming image, like an optical illusion toy, do you see your two lights meeting at the middle and snuffing out between worn thumb and index finger. (an ending?)
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Post by Kate Burnham on Jan 19, 2018 18:19:37 GMT
Inversion of familiar language is an ongoing concern in our writing. Out of the three short pieces here, which do you feel deconstructs the cliche with the most effective language? Good question... I feel like the first one was the most successful, but it sure as hell doesn't reach the level of Lander's piece. I most wanted the "burning your candle at both ends" one to work, because I love that cliche, but I struggled and was spending too much time on it. This semester I really need to dig into giving good feedback to the cohort.
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Post by Kate Burnham on Jan 19, 2018 18:21:10 GMT
I think the strongest is the top one Brielle commented on. It is succinct and the rhyme works. I am impressed to got three out of this exercise! The 2nd, seems more like a brainstorm- pre 1st draft. I do like, snuffing out between worn thumb and index finger, like a boot stamping on a human face forever? Hey, I guess I do! I quoted that line before. Livin in dystopia baby. The issues I have with the last two pieces are that there are clichés within them that take away from the focus on the one which inspired the poems. For example, "running circles around circles" "Under pressure" This one could even start here and be more successful IMO: spinning two dissimilarities into one wholesome-seeming image, like an optical illusion toy, do you see your two lights meeting at the middle and snuffing out between worn thumb and index finger. (an ending?) Yes, Lauren, I confess immediately--I stole that line directly from your poem.
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